Evdokia Agafonova

Cocktail - elegant retro serif with an artistic touch. Specially designed for vintage, retro, elegant projects, perfectly suitable for creating simple, lifestyle designs such as logos, title, packaging, and more.

Classy Jazzy is a lovely serif font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!

So what's included :

• Basic Latin A-Z & a-z
• Numbers, symbols, and punctuations
• Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß

Thank you

Bucolic is beautifully simple and static, yet classy and enigmatic. The softness of the font reminds one of the old countryside, a peaceful landscape that is being looked at by transcending the boundaries of time. It has a rustic feeling, and it stays true to its roots while also being very elegant and open to the sky.

What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper and lower case, and read confortably. At the same time, beyond pure plastic formality, I was aware that there are strong connotations of historicism in this noble style, with overtones of regal magnificence, on account of the extravagant leading and generous point size required for adequate visibility—in traditional letterpress printing such proportions, with so few characters per square inch, were pricey and devoured resources. There are two iconic early 20th century designs in the genre: Koch Antiqua (Rudolf Koch, Klingspor Foundry, 1922) and Lucian (Lucian Bernhard, Bauer Foundry, 1925). Both these have x-heights smaller than fifty percent of ascender height, which nominally defines the category. So I made these my benchmarks, and determined to outdo them in dramatic fashion. —Nick Shinn, Orangeville, March 2021

Rincon is a serif font with 201 glyphs including ligatures and alternatives. It was designed by Rachel Kick in Los Angeles, California. Inspired by beautiful serif while maintaining a friendly and approachable feel, Rincon is perfect for branding, display, or marketing.

Rincon has the ability to hold it's own as a single word headline, or in a paragraph form. It also works well with simple sans serif or script font compliments. The ligatures increase its legibility and adjust each character to work perfectly with the character next to it.

Hoyle is a dynamic high-quality serif typeface. 

Drawn and created by Måns Grebäck between 2019 and 2020, this classic design makes use of the fact that timelessness is the best manner to achieve modernity; the letters are of such composition that they will always be simultaneously contemporary and traditional. 

Hoyle is a family containing five weights: Thin, Light, Medium, Bold and Black. Each weight is also provided as Italic, resulting in 10 unique styles. 

The weights are harmonic and created to balance perfectly agaist each other.  

Try the included Variable Font! 

A format where you can set any weight manually, and any slant, resulting in more than 5000 variations. More info: https://www.mansgreback.com/variable-fonts

This slab serif typeface is also filled with OpenType features such as ligatures, alternates, oldstyle, superscript, subscript, fractional and alternate numbers. 

It has a very extensive lingual support, covering European Latin, Vietnamese, Zulu and many more scripts.

The font contains all characters you'll ever need, including all punctuation and numbers. 

Hybridea is a serif font family which I designed to look strong but elegant.

You can use it as a display font or for longer texts. The name comes from the combination of style elements like curved serifs & big drops. I included all glyphs from all latin and even other languages so you can type them.

I am looking forward to see your products using Hybridea.

Prushkov is the first typeface that I made. Its name comes from the town I lived in at the time. The design was inspired by both geometric typefaces like Futura, and didone fonts like Bodoni. Its aim (perhaps quite bold) is to blend high contrast with mathematical excellence.

Prushkov will work well as a display font, both in uppercase and lowercase. It has a wide array of stylistic alternates for all of the capitals and some lowercase glyphs too.