Evdokia Agafonova

Maine is a modernized book antiqua consisting of six styles and matching italics. Maine's cuts are from Light to Extrabold, of which Regular and Slightly Bolder Book are especially suitable for longer texts. Thanks to its clear features and high x-height, Maine creates a beautiful and legible body text.

Maine gives a professional, no-nonsense impression and it’s best used in editorial, books, magazines and everywhere where you can use many different styles and sizes of the same typeface. Go dignified with Maine.

My eldest son Sam always wanted to visit Japan and he has been saving up for a ticket for years now. We should have traveled there this year, but due to the pandemic, that was impossible. We’re now trying to go next year.

Sam and I did make some kind of itinerary and I told him how we were going to get around, as I have been to Japan many times. I told him about the Shinkansen trains, the cute Tram in Nagasaki and the immense subway system in Tokyo. One of the lines in Tokyo is the so-called Yamanote Circle Line, which I have used on numerous occasions.

A new font name was born and it stuck to this particular font!

Subway Circle is a 100% handmade font. It is rounded, slightly slanted and comes with a sunny disposition. I am sure that, when you use it, you will find your 生きがい… ;-)

Marithin is a New Modern Display Typeface. This another collection of Serif is perfect for your next branding project, excellent for your business. Marithin have a smooth edges, so this font gives an authentic handcrafted feel style.

Mood Boosters Handwritten Font Duo is a perfectly font duo for all your design project needs.

Create your perfect design with Mood Boosters Handwritten Font Duo.

Try this font for all kinds of your business projects like: logo design, business card, mood board, greeting card, magazine ,headline, social media design, watermark and more, and it will all look perfect.

This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?

Serif typefaces have undergone a constant change over time; this has allowed the emergence of modern shapes that bring expressiveness to each letter, making them fun to use and design.

Milanesa Serif is a typeface family with seven weights that changes the contrast angle in its black version, achieving a particular transition in the different interpolations. Beyond maintaining the traditional canon in a serif, Milanesa plays with a modern concept to impose its versatility in different graphic applications.

Milanesa Serif undergoes a metamorphosis in its weights, intensifying its shapes and varying its counterforms without losing the sense of the typeface family, perfect for versatile uses such as web design, editorial or packaging, among many others.

A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts.

It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be!

Ideal for magazine, posters, headlines and pull quotes.

A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts.

It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be!

Ideal for magazine, posters, headlines and pull quotes.

A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts.

It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be!

Ideal for magazine, posters, headlines and pull quotes.

Indigo Antiqua 2 is an old-style humanist serif typeface primarily based on personal studies of a typeface by Francesco Griffo (1450–1518) Italian punchcutter. But it is not a revival of the so called original Bembo (1496) or any other typeface. 

My Inspirations are of various kinds, but some outstanding old typeface masters like Guillaume le Bé, Miklós Kis, Peter de Walpergen and Christoffel van Dijck are important.

Indigo Antiqua 2 is most commonly used for body text were legibility / readability matters – and is a reliable multi-purpose typeface. It has been applied for thousands of book titles and between the book covers made reading comfortable.

By using Indigo Antiqua 2 with OpenType features You can reach additional ligatures, various figure sets, small caps, stylistic options and a lot of other typographical choices. 

Multi-Lingual support: Central European languages and many others. | See www.fontanova.se

COMBA is a quirky all caps display font that is perfect for display type and contemporary branding. It has just enough eye-catching letters to pull the reader in and make them smile. COMBA also comes with 5 logo templates and a color palette.

SK Pangramma is a modern universal geometric typeface. For greater universality, it was developed in two stylistic variations: sans serif and slab serif. The uniqueness of the typeface is supported by stylistic alternatives that give the character set the spirit of modern typeface design. The SK Pangramma typeface is named this way because it supports more than 200 languages, including the Extended Latin Alphabet, Cyrillic, and even Greek. Thanks to a wide range of characters, alternatives, and two stylistic variations, the typeface is great for design projects of any complexity, no matter whether it is printed products or web design.

Mumford began as a revival of the early designs for sans serif fonts of the late 19th and early 20th centuries, but along the way it morphed into a reinterpretation of this style and it adaptation to more contemporary shapes.

It's strong contrast, signature of the design, works along it 9 weight variables each with their corresponding oblique. Each variable includes extended language support (+ Cyrillic), fractions, tabular figures, ligatures and opentype features.

Mumford was design with strong graphic display design in mind, perfectly suited for poster, magazine headers, titles and editorial design.