Evdokia Agafonova

Golca is a humanist, slightly elongated sans-serif font family with open aperture. It features rich language support and includes Cyrillic and Greek scripts for your international projects.

It is perfect for branding purposes, as well as UI/UX applications and web appearance. Friendly and highly legible, it is also suitable as a body copy typeface for various printed media.

Pixel Grid is a font that lets us know that we have entered the digital age. We know about grid systems from the very first computers and electronic LED boards. Pixel Grid offers three types of grid resolution as well as many incarnations of individual segments. It is an electronic game: characters can be animated, overlapped, and played with in different ways. If you need a font that is strictly technical in nature, you can use

tried-and-true square and round points. You can save ink by using them on receipts, for example, so the font can be used sustainably. Pixel Grid is suitable for engraving, or it can be used as a stencil. This complete font family aims to gain an extensive selection covering the early digital font style, facilitating the use of the style in professional applications today.

Specimen:

http://carontwice.com/files/specimen_Pixel_Grid.pdf

Jessie Neue in a new Serif typeface inspired by popular '70s fonts mixed with grotesque touches. 

It has ligatures that make it more elegant and grotesque elements that give it a modern look and make it more versatile. Jessi Neue has a great performance in large body texts and also in high impact headlines. The family has four weights and also a variable version to give more creative freedom.

It has 667 characters that covers the following languages: Basic Latin, Western European, Central European, South Eastern European, Vietnamese, Pinyin and Basic Greek.

The italic version will arrive soon.

Geometric, stylish, and not quite a stencil face: Glance Sans is the urban alter ego of Glance Slab—a strong-willed sans-serif with no frills but a few unique character traits.

Glance Sans follows the design principle of nonjoining parts that made Glance Slab successful. Some strokes may not connect to their stems, creating visible gaps and thus, a dynamic impression of balance and movement. However, Glance Sans has a calmer appearance due to the lack of detached serifs. If Glance Slab’s home territory are large, crowded stadiums and massive sports events, Glance Sans prefers streetball courts, well-used skate parks, and underground clubs. It also adapts to urban work environments from finance to high-tech. Whenever a more toned-down look is called for while retaining the elegance of an athlete, Glance Sans is ready to roll.

In the city environment, versatility is key. That’s why Glance Sans sports 7 weights as well as a complete set of italics. These are not just sloped romans but individually drawn letterforms, subtly referencing classic italic construction for more effective emphasis. Among the 600+ glyphs of Glance Sans, you’ll find goodies such as six sets of figures, circled numbers, circled arrows, and all kinds of currency symbols in two stylistic versions. Glance Sans is a great tool for industrial and high-tech branding, for wayfinding systems in contemporary or modernist architecture, for corporate identities in arts, crafts, medicine, culture, and education, and for all kinds of sports-themed design.

Both members of the Glance superfamily are easily and effectively combinable; both are able to stand on their own feet. With its powerful italics, you might opt for Glance Sans as your text typeface and use Glance Slab for headlines. Or you set large, clean, display-sized lines in Glance Sans and spice them up with a bit of sportive Glance Slab. It’s up to you to decide how to bring out the best in both of them.

Legible, technical, clear—with a hint of retro: Compiler is a no-frills font family straight from the heart of a microprocessor.

Inspired by console typefaces, the humanist sans serif typeface combines a large x-height with striking serifs on certain letters such as i and l. Those serifs evoke the aesthetics of monospace typefaces for programming. Even though Compiler is a proportional typeface, this detail improves glyph recognition and helps differentiate between individual letters. Combined with vertical stroke ends, which allow for particularly even spacing, the serifs make for an extremely legible typeface. (Even in small sizes.) 

Brand recognition guaranteed: Compiler is ideal for applications that require a mechanical flavor without appearing offish. You can use it for websites, apps, branding, corporate design, annual reports, signage, and many other areas with perfect results.

Compiler consists of two font families; the second one is Compiler Plain. In Compiler Plain, the signature letters lose their serifs and the forms of "a" and "g" are simplified. This way, the shapes are neutralized. The technical impression recedes into the background. Both families can be combined smoothly: you might use the standard Compiler fonts for display sizes and Compiler Plain styles for body copy. For total design control, you can toggle each of the defining design elements individually from Compiler to Compiler Plain and vice versa. Just use Stylistic Sets to fine-tune your Compiler fonts.

Compiler provides you with 8 weights in 4 variations: Upright, Italics, Plain Upright and Plain Italics. That's a total of 32 fonts. Each style contains more than 860 glyphs, including advanced typographic tools such as proportional and tabular figures (both lining and old-style) or small caps—something you'll rarely find in this genre. Other glyphs are optimized for display sizes, such as circled figures and various arrows. There's also a set of glyphs designed for web use: with symbols for shopping carts, hamburger menus or checkboxes, you can implement your web projects elegantly and consistently without relying on third-party tools (like an external icon font).

Powered by highly productive OpenType functions, Compiler is an intermedia workhorse straight from cyberspace.

Alacrity Sans Fonts are modern multipurpose family fonts with sophisticated geometric shapes. These fonts are perfect for your various projects such: logo and brand identity, journal, business cards, web, stationary, display, sport product, technology and more. Alacrity Sans fonts are opentype format with kerning features and alternative letters in it.

Mirtha Display is a clean and elegant decorative font with 40+ ligatures and the ability to create chains (make a shape in Illustrator, type @@ to form a link on it and there it is, an editable chain).

Inspired in art deco but with a modern touch it works perfectly in short headlines. It comes in two weights with italics and it has flexibility to perform well within retro or modern designs and can serve in a wide range of projects from posters to branding, logos, packaging, magazines and more.

Mirtha Display extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Basic Greek and more.

Monesta® is a confident smooth serif font family. Designed by Aulia Rahman, Monesta® it creates a sense of softness and expressiveness. the concept into usability focused direction, to work as a bold tool and beautiful communicator.

Monesta variable allows design across 9 weights, major Latin based languages, and Cyrillic. Monesta® bringing energy and making it suitable for modern design.

Along Slab WORK is a elegant Slab Serif font family, which designed by Ryuld Davidson of the Brenners Template.

It retains the skeleton of the Along Sans S2(https://www.myfonts.com/fonts/brenners-template/along-sans)

Especially, all italic styles were rhythmically redesigned for inspiration of glyphs.

This font family has a unique personality for each style and will help a designer's choice.

Tabularasa is a modern grotesque typeface with an organic aesthetic. It is very legible in small sizes and full of refined details in display sizes.

Furthermore, it features a whole set of stylistic alternates that offer additional approaches for its usage.

Xova Rounded is a geometric rounded typeface. The use of perfect round shapes and quite a low ascender height makes it a very stable, yet playful looking typeface.