Showing posts with label roman. Show all posts
Showing posts with label roman. Show all posts

Download Draughtsman Engraved Fonts Family From Greater Albion Typefounders

Download Draughtsman Engraved Fonts Family From Greater Albion Typefounders

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Draughtsman Engraved, inspired by hand drawn 19th century lettering, is an open shadowed display face, with an extensive range of OpenType features, including ligatures, stylistic alternates, petite and small capitals and old style numerals.


Draughtsman Engraved is ideal for headings, initial capitals and anywhere a touch of distinction is needed.


Download Draughtsman Engraved Fonts Family From Greater Albion Typefounders
Download Draughtsman Engraved Fonts Family From Greater Albion Typefounders



Download Draughtsman Engraved Fonts Family From Greater Albion Typefounders


Download Troy Font Family From Indian Type Foundry

Download Troy Font Family From Indian Type Foundry
Download Troy Font Family From Indian Type Foundry Download Troy Font Family From Indian Type Foundry Download Troy Font Family From Indian Type Foundry



Troy is a pair of related sans and serif titling fonts. Each version is available in a single weight. The fonts’ lowercase letters all take the form of small capitals. Particularly the serif font – simply called Troy – is reminiscent of inscriptional letterforms. This tip of the hat to the very origins of our Roman capital letters gives the typeface an immediate feeling of formality and solemnity. Troy Sans, while sharing Troy’s proportions, feels more contemporary – although its letters would not be out of place on an inscription, either. Each of the fonts contain several alternate letterforms. In Troy, some of the alternate letters contain a mystical feeling; in Troy Sans, the same alternates look almost medieval, particularly ‘A’, ‘E’, ‘G’, ‘a’, ‘e’, and ‘g’. Other alternate characters are more sober versions of the default letterforms: in their default state, for instance, the ‘O’, ‘Q’, ‘o’, and ‘q’ each have a dot inside of their counters. The alternate versions of those letters are dotless. There are three versions of the ampersand in each font, too, as well as eighteen ligatures. Included among those are ligatures like ‘LI’ and ‘CO’, where the second letter is cradled inside of the counter of the first, as well as doubled letters like ‘NN’, ‘OO’, and ‘TT’ that were found in Ancient Roman inscriptions. The Troy fonts were designed by Ilya Naumoff, a graphic and typeface designer in Paris.


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