Showing posts with label 1900s. Show all posts
Showing posts with label 1900s. Show all posts

[ipwpw] Download Fun Time Nouveau JNL fonts from Jeff Levine

Fun Time Nouveau JNL
Fun Time Nouveau JNL Fun Time Nouveau JNLFun Time Nouveau JNL



“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles.


One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints.


This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.



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Nouveau Calendar JNL fonts from Jeff Levine - (mzsuh)

Nouveau Calendar JNL
Nouveau Calendar JNL Nouveau Calendar JNLNouveau Calendar JNL



Inspired by the lettering on Koloman Moser’s poster design for Fromme’s Calendar (circa 1912), Nouveau Calendar JNL is available in both regular and oblique versions.


According to Wikipedia:


“Koloman Moser (30 March 1868 – 18 October 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.


Moser designed a wide array of art works, including books and graphic works from postage stamps to magazine vignettes; fashion; stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture.”




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[olsfdlomsu] Download Nouveau Date JNL Fonts Family From Jeff Levine

Download Nouveau Date JNL Fonts Family From Jeff Levine
Download Nouveau Date JNL Fonts Family From Jeff Levine Download Nouveau Date JNL Fonts Family From Jeff LevineDownload Nouveau Date JNL Fonts Family From Jeff Levine



The hand lettered title on the cover of the 1914 tune “I Want you to Meet My Mother” served as the inspiration for Nouveau Date JNL, which is available in both regular and oblique versions.




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[mlqubctthu] Download Ephemera Shoemakers Fonts Family From Ephemera Fonts

Download Ephemera Shoemakers Fonts Family From Ephemera Fonts


Ephemera Shoemakers is a bold font with spurred serif & medium contrasted, vintage inspiration with letters in all caps. Traditionally this type of decorative font that emerged in Italy, France & England in the nineteenth century were used in large headlines and posters that were closely related to circus shows, carnival or environments of the Far West American. Perfect for signs, posters, handbills and other large format advertising.


Ephemera Shoemakers Pdf Specimens 



Download Ephemera Shoemakers Fonts Family From Ephemera Fonts


[axsiqhyecj] Download Drafting Class JNL Fonts Family From Jeff Levine

Download Drafting Class JNL Fonts Family From Jeff Levine
Download Drafting Class JNL Fonts Family From Jeff Levine Download Drafting Class JNL Fonts Family From Jeff LevineDownload Drafting Class JNL Fonts Family From Jeff Levine



Within the pages of “The Essentials of Lettering” by Thomas E. French and Robert Meiklejohn (circa 1912) is an example for creating a sans serif alphabet and numerals.  


The lesson plate is entitled “Upright Single-Stroke Gothic”; a basic monoline font most useful for architectural and drafting plans because of its easy-to-read properties.


This type design is now available as Drafting Class JNL, in both regular and oblique versions.




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[quyerzadla] Download Ghost Sign JNL Fonts Family From Jeff Levine

Download Ghost Sign JNL Fonts Family From Jeff Levine

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Ghost Sign JNL is a spurred serif type design based on the faded lettering of an antique brick wall sign for Homer Hardware [located in Homer, NY] and is available in both regular and oblique versions.


From Wikipedia:


“A ghost sign is an old hand-painted advertising sign that has been preserved on a building for an extended period of time. The sign may be kept for its nostalgic appeal, or simply indifference by the owner.


Ghost signs are found across the world with the United States, the United Kingdom, France and Canada having many surviving examples. Ghost signs are also called fading ads or brickads. In many cases these are advertisements painted on brick that remained over time. Old painted advertisements are occasionally discovered upon demolition of later-built adjoining structures. Throughout rural areas, old barn advertisements continue to promote defunct brands and quaint roadside attractions.


Many ghost signs from the 1890s to 1960s are still visible. Such signs were most commonly used in the decades before the Great Depression.


Ghost signs were originally painted with oil-based house paints. The paint that has survived the test of time most likely contains lead, which keeps it strongly adhered to the masonry surface. Ghost signs were often preserved through repainting the entire sign since the colors often fade over time. When ownership changed, a new sign would be painted over the old one.”



Download Ghost Sign JNL Fonts Family From Jeff Levine
Download Ghost Sign JNL Fonts Family From Jeff Levine



Download Ghost Sign JNL Fonts Family From Jeff Levine


[keopspzyum] Download Specimen Book JNL Fonts Family From Jeff Levine

Download Specimen Book JNL Fonts Family From Jeff Levine


A thin Roman typeface with slab serifs shown in various editions of the American Type Founders’ Specimen Book as either Lining Antique or Lining Central Antique was the model for Specimen Book JNL which is available in both regular and oblique versions.


This is the 1700th design released by Jeff Levine Fonts since its inception in January, 2006 and was named Specimen Book JNL to celebrate the era when metal type and letterpress were the modern technology of their time.




Download Specimen Book JNL Fonts Family From Jeff Levine


Download RMU Trifels Fonts Family From RMU

Download RMU Trifels Fonts Family From RMU
Download RMU Trifels Fonts Family From RMU Download RMU Trifels Fonts Family From RMUDownload RMU Trifels Fonts Family From RMU



RMU Trifels is a revival of Heinrich Wieynck’s great design which was released by Bauer in 1905. This beautiful Art Nouveau font comes with a long s and a historical form of the letter H.

Border and adorning elements were added which you can reach by typing [alt] + P and [alt] + p.



Download RMU Trifels Fonts Family From RMUDownload NowView Gallery


Download Piano Music JNL Fonts Family From Jeff Levine

Download Piano Music JNL Fonts Family From Jeff Levine


A 1910 collection of piano sheet music called “Presser’s Economy Group” had that name hand lettered in a fancy serif lettering style that could fall somewhere between Art Nouveau and semi-calligraphic. No matter the label you attach to the style, it makes for a wonderful digital type revival. The end result is Piano Music JNL, which is available in both regular and oblique versions.


Download Piano Music JNL Fonts Family From Jeff Levine


Download Nouveau Moderne JNL Fonts Family From Jeff Levine

Download Nouveau Moderne JNL Fonts Family From Jeff Levine
Download Nouveau Moderne JNL Fonts Family From Jeff Levine Download Nouveau Moderne JNL Fonts Family From Jeff LevineDownload Nouveau Moderne JNL Fonts Family From Jeff Levine



The cover of the 1904 sheet music from the Tibetan comic opera “The Forbidden Land” had the title hand lettered in an unusual Art Nouveau style. Mostly squared with rounded corners, many of the characters twisted, turned and extended in ways that took on the look of the Far East. This became the design model for Nouveau Moderne JNL, which is available in regular and oblique versions.


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Download Tamba Sans Fonts Family From Dharma Type

Download Tamba Sans Fonts Family From Dharma Type
Download Tamba Sans Fonts Family From Dharma Type Download Tamba Sans Fonts Family From Dharma TypeDownload Tamba Sans Fonts Family From Dharma Type



Tamba Sans has strong geometric frames. Somewhat condensed and somewhat squarish letterforms can create a powerful atmosphere. At the same time, the very clear, neutral and distinguishable letterforms make it legible and readable. With the spread of the internet, the digital world is overflowing with “designed” stuff. To survive this chaotic world as a designer, you should use a strong typeface to catch the eyes of an unspecified large number of visitors/customers. This is why it is so important to be strong and powerful. One more important thing is the legibility, but the eye-catching design has a tendency to be unusual. Those two things conflict with each other. Tamba Sans solved this problem with an exquisite balance. Tamba Sans consists of 7 weights and their matching Italics for a wide range of usages. Farther, Tamba Sans is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also CSS covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works.


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Download Theater Nouveau Fonts Family From Jeff Levine

Download Theater Nouveau Fonts Family From Jeff Levine
Download Theater Nouveau Fonts Family From Jeff Levine Download Theater Nouveau Fonts Family From Jeff LevineDownload Theater Nouveau Fonts Family From Jeff Levine



Sheet music from the 1911 stage production of the comic opera “The Enchantress” featured the hand lettered names of both the star and composer in a monoline Art Nouveau style. This sans serif type design is now available as Theater Nouveau JNL in both regular and oblique versions.


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Download Sunshine Nouveau Fonts Family From Jeff Levine

Download Sunshine Nouveau Fonts Family From Jeff Levine
Download Sunshine Nouveau Fonts Family From Jeff Levine Download Sunshine Nouveau Fonts Family From Jeff LevineDownload Sunshine Nouveau Fonts Family From Jeff Levine



Hand lettering done in a playfully distinct Art Nouveau style comprised the title on the cover of the 1916 sheet music for the song “Your Mother is Your Best Friend After All”. This served at the working model for Sunshine Nouveau JNL, which is available in both regular and oblique versions.


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Download Railway Station Fonts Family From Jeff Levine

Download Railway Station Fonts Family From Jeff Levine
Download Railway Station Fonts Family From Jeff Levine Download Railway Station Fonts Family From Jeff LevineDownload Railway Station Fonts Family From Jeff Levine



The hand lettered title on the 1911 sheet music for “That Railroad Rag” was designed in a block style letter with spurred serifs. This simple typographic layout evokes the imagery of early rail transportation although the song itself is was a ‘modern’ composition of then-popular ragtime music. Railway Station JNL is available in both regular and oblique versions.


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Download Nouveau Dreams JNL Fonts Family From Jeff Levine

Download Nouveau Dreams JNL Fonts Family From Jeff Levine
Download Nouveau Dreams JNL Fonts Family From Jeff Levine Download Nouveau Dreams JNL Fonts Family From Jeff LevineDownload Nouveau Dreams JNL Fonts Family From Jeff Levine



The 1910 sheet music for “In All My Dreams I Dream of You” had the title hand lettered in an eclectic sans serif that typified the free form Art Nouveau movement of the time. The lettering was recreated digitally as Nouveau Dreams JNL, and is available in both regular and oblique versions.


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Download Bleak Fonts Family From Andinistas

Download Bleak Fonts Family From Andinistas
Download Bleak Fonts Family From Andinistas Download Bleak Fonts Family From AndinistasDownload Bleak Fonts Family From Andinistas



@andinistas presents Bleak , an experimental font designed by #carlosfabiancg. Bleak is based on the imaginative use of contrast applied in the empty space and on the dramatic distributions of the wide and compressed horizontal of more than 400 textured symmetric capitals inspired by compositions of the Lissitzky, Theo van Doesburg, among others. In the Europe of the 20s, scarce resources prevailed, which gave these great artists the firm determination and dedication to create a visual vocabulary, characteristic of the composition with movable types of wood and metal. As they did not readily dispose of the forms of the letters they required, they did not hesitate to construct them with metal rulers, ornaments and other improvised pieces and remains and obtained in the forgotten corners of the typographic composition workshop.


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